12 Insights into Christ's Life as Portrayed in the Rome Visitors' Center Stained Glass Window

The Good Samaritan (Luke 10:25-37)

A lawyer asked Jesus, “What shall I do to inherit eternal life?” (Luke 10:25). The Savior told him to love God and love his neighbor. The lawyer then asked, “Who is my neighbor?” (v. 29). It was in answer to this question that Christ taught the parable of the Good Samaritan. To the right of Jesus in the window, viewers will see the Samaritan walking with the injured man lying across his donkey. It is as if he is walking him to the inn where he will pay for him to be taken care of. 

Wheat and Tares (Matthew 13:24-30, 36-43)

This parable is a powerful reminder of the opposition that always mounts against the work of the Lord. In the bottom right corner of the window, onlookers will notice a small cluster of wheat growing side by side with a few tares. As the two plants begin to grow, it is difficult to tell them apart. Once they mature, the head of wheat becomes increasingly bowed down, in humility, so to speak, with the weight of the grain but the non-consumable tares remain tall and proud. 

The Prodigal Son (Luke 15:11-32)

Imagine the hunger, pain, regret, and embarrassment the prodigal son must have felt on his long road home. “But when he was yet a great way off, his father saw him, and had compassion” (Luke 15:20). The fact that his father saw him so far away implied that he had been watching the road, tirelessly waiting for the first sign of his lost son’s return. Some parents would be furious at the boy for how he had treated them, but not this father; he ran to his child. He was not put off by his son’s deplorable physical condition. Underneath all the pig stench, the sweat and sores from an exhausting journey, and the stain of countless poor decisions, was his son. In the window, the prodigal son and his brother are depicted at the far right. The prodigal seems to feel the full weight of his many mistakes as he sits down on the ground next to a pig, while the other brother feels justified in condemning. 

The Ten Virgins (Matthew 25:1-13)

Among Jesus’s most famous parables is that of the ten virgins. In ancient times, it was customary for a bride to wait for her groom with her bridesmaids attending her. When the groom arrived, the maids went out and met him with lamps to light the way, announcing his arrival. With this context in mind, Jesus was teaching about His Second Coming, saying, “Then shall the kingdom of heaven be likened unto ten virgins, which took their lamps, and went forth to meet the bridegroom” (Matthew 25:1). Five of them were wise and prepared while five were unprepared. The parable of the ten virgins is represented in the stained-glass window by the woman on the right holding her lamp, looking to Christ, the bridegroom: 

Not only does she have her lamp ready, she holds a small vessel filled with the oil of her righteousness, showing she is prepared to be in His presence. 

Water to Wine (John 2:1-11)

At a wedding feast in Cana of Galilee, the Lord turned water into wine. It was customary for Jewish people in this story to wash their hands before eating (see Mark 7:3; Luke 11:37-38), thus, this wedding celebration featured six large water pots of stone that were used for the “purifying of the Jews” (John 2:6). After dozens of washings, these would not be the vessels from which you would want to take a drink. Yet Jesus chose those murky, bacteria-laced, filthy waterpots for this miracle. Using His divine power, He turned water from those unclean vessels into the finest, best wine of all (see John 2:10). The miracle of water to wine is represented in the window by the large water-pot on the left filled with wine: 

Jesus used the miracle of turning water into wine to send the profound message that He had the power to change the very nature of things—to transform not just the state of liquids, but the state of lives. 

Calming the Storm (Matthew 8:23-27; Mark 4:35-41; Luke 8:22-25)

Jesus and His disciples were in a ship on the Sea of Galilee and “there arose a great storm of wind, and the waves beat into the ship” (Mark 4:37). The disciples panicked. The ship was filling with water, so they awoke the Savior, who was “asleep,” and cried, “Carest thou not that we perish?” (v. 38). The Lord arose and “rebuked the wind, and said unto the sea, Peace be still” (v. 39). Like storms on the Sea of Galilee, the storms of mortality are inevitable. But Christ cares and can help. Sometimes He calms the storms. Sometimes He calms us in the midst of the storms. Either way, it is miraculous. The artists of the window have hinted at storms as the sky becomes darker at the edges. They have symbolized the miracle of the calming of the sea with a toy boat and an actual shell from the Sea of Galilee next to the child sitting at the well: 

Healings (Matthew 8-9)

The healings of Jesus are the central feature of the magnificent piece of artwork found in the visitors’ center of the Rome temple. In the middle panel, Jesus reaches forward, grasping the arm of an infirm man, lifting him up with love. We see the skin of the young man closest to the Savior is clear and clean while the skin that is farther away is still covered with sores and dirt. It is as if we are witnessing the healing taking place right before our eyes: 

Some of the healings of Christ have been represented individually in the window, but this man represents all of the healings in the New Testament collectively. He is the lame, blind, leprous, deaf, dumb, infirm, and all those with any issues wrapped into one moment that symbolizes the miracle of healing. The man in the middle, wounded and suffering, looks up to Jesus with gratitude, healed internally and externally, made whole in every way. 

Few looking at the stained-glass window in the Rome visitors’ center realize the work that went into creating it. But that is intentional. The artists never want the window’s individual elements to upstage the whole. The main goal is to focus visitors to the center on the majesty of Christ and not the complexity of the production. Some visitors will enjoy the piece as a whole while others will look closer and find deeper meaning throughout the window. One way or the other, it is the hope of Tom Holdman and his team of artists at Holdman studios that this window will illuminate the life and divinity of Christ in such a way that all who see it will desire to draw closer to our Savior and Redeemer. His love and grace are there for each. His teachings and miracles have not ceased, but continue to this day. Like the figures represented in this stained-glass window, each of us are in different places along the path of discipleship. We have varied situations, individual needs, and unique challenges as well as opportunities. No matter our circumstances, each of us can respond today to Jesus Christ’s loving invitation shown in Greek letters on the building portrayed in the window: “Come unto Me” (Matthew 11:28).

Lead image and all other images by Erin Pritchett

Come unto Me: Illuminating the Savior’s Life, Mission, Parables, and Miracles uses details and images from the stained glass mural to illustrate and teach of Christ and was written by Brad Wilcox, Gayle Holdman, Tyler Griffin, and Anthony Sweat, with the art by Tom Holdman. Written while the glass mural was in progress, both the window and the book added to each other in inspiring ways. Find it at deseretbook.com.

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