One thing that immediately becomes apparent as you look at Eva Timothy’s “The Lord Is My Light”collection is that there are hands to lift and feet to wash but very few faces. It is without a doubt an interesting creative decision—so what caused Timothy, a fine art photographer who grew up behind the Iron Curtain, to omit faces in many of her pieces? And after years of photographing more secular collections that have been displayed in places like the Smithsonian National Museum of American History, what has it meant to Timothy to share the light of Christ in her most recent collection?
